A belated Happy New Year to all our readers. Whether you receive this in your inbox or your postbox, I’m hope you are finding The Gander to be a lively and informative way to keep in touch with the St John’s community. I’m enormously grateful to all our contributors this month, you are in for a treat!
We cover wellbeing: with Anne Coates’ article about the rollout of the Covid vaccine and participating in a vaccine trial; Sue O’Neill’s timely article on health - both physical and psychological; my own musings on art and faith; and Tayo Olatunde's description of reading the whole Bible in one year - clearly a very rewarding experience, and a challenge we might all like to consider.
A couple of years ago we supported Deep Roots in one of our special collections in church, and it is interesting to hear more about their work. I especially loved our profile of Silbert Crichlow, and it has been delightful to welcome him to our online services. Do get in touch with us if you’d like to join online, but are not sure how to make it work.
As I write, the UK has sadly announced that over 100,000 people have died from the coronavirus. Each one of those numbers is a person with a story and a value beyond measure. Each one leaves friends and family in the devastation and isolation of grief, and healthcare staff with a burden of trauma. As the church, we hold one another, and all who suffer, in our prayers, and hold on to the hope we find in our shared faith: that no-one is forgotten, no-one is beyond the compass of God’s love. As I read this edition, I utter a prayer of thanks for our community of friendship and faith, and hold on to the hope that one day we will be gathered together again.
Revd Gill O'Neill
Jerusalem-Southwark Covenant Agreement: The Archbishop in Jerusalem, The Most Revd Suheil Dawani, and the Bishop of Southwark, the Rt Revd Christopher Chessun, signed the Jerusalem-Southwark Covenant Agreement, formally linking both Dioceses on 21 January.
Bert Holmshaw: We were sorry to hear that Albert (Bert) Holmshaw died peacefully on 11 January, aged 96.
He shared some of his memories of the Second World War, including the D-Day landings, in an article published in the November 2020 issue of The Gander.
Get Connected: The continuing lockdown means it is easy to feel lonely or isolated, but many of us find keeping in touch online really helps. The purpose of the Get Connected Scheme is to help those without access to the internet to get online, by helping with the initial costs of arranging a broadband connection, if appropriate, and/ or lending an inexpensive tablet which is set up to be easy to use. They will then be able to connect to Goose Green Coffee Morning, our services, emails, etc. Step by step instructions have been produced to help borrowers access the internet and emails, as it is of course not possible to help in person.
Art session: Coffee Morning held its first art session on 16 December, which was well attended with 22 people taking part. The session was run by The Arts Factory who helped everything run smoothly, despite the postal service being less than reliable for distributing kits to participants’ homes!
Film and book discussions: The film ‘North by Northwest’ was the topic for discussion on 27 January and our first book group will be discussing Booker Prize winner Girl, Woman, Other by Bernardine Evaristo on 24 February (see preview below).
It’s wonderful to see that our Bishop Karowei (who initially trained and worked as a doctor before being ordained) has had his vaccine as have many in our congregation. Among them, Elizabeth Stanton has received the two doses at the excellent Tessa Jowell Health Centre where she found the whole process was carried out safely and professionally. Irma Bell received her first one while she was having one of her regular dialysis sessions and Jenny Gammon, as clinically vulnerable, received her first one at Guys Hospital.
Lots of health professionals are now taking part in the massive NHS vaccination programme and it’s great to know that our own Louise Pollard is involved in this at the Lewisham Hospital where friend of St John’s Father Stanley Njoka, chaplain at the hospital, had his vaccine.
Keeping fit indoors may feel a challenge if you normally enjoy long walks or jogs but now find your local streets and parks too crowded. There are a host of resources online to help including:
The NHS Live Well pages recommend that adults are physically active every day, that any activity is better than none and the more the better. For adults over 65 the advice is the same, except that light activity can also be considered helpful. The guideline given for all adults is at least 150 minutes of moderate activity per week (e.g brisk walking, dancing) or 75 minutes of vigorous activity (e.g. jogging or aerobics). Strengthening exercises are also recommended at least 2 days a week.
Another benefit of keeping active is that it can help our mind to keep well too. Adjusting to life under lockdown can be difficult. There is general advice we are all aware of, such as keeping in touch with others, talking about how we are feeling with people we trust, avoiding excessive watching of the news and trying to keep doing activities we enjoy or learn new ones if we don’t have regular hobbies we can do in lockdown. See more here. The NHS also has a helpful quiz which produces a mind plan of tips and advice.Whenever I visit an art gallery, and I suspect I am not alone in this, I notice that it often elicits in me the same kind of sensibility and awareness I experience when I visit a cathedral or beautiful church. I’m conscious that I am in a space that has been set aside for a particular kind of perceptive experience; a very present and immediate awareness of things above and beyond the commonplace.
Art is often a reaching after truth and meaning, a sculpting and shaping of matter in a way that touches deep questions about our shared human experience. As such, I, along with many others, have found art to be a wonderful theological resource and friend. Art can embody and express theological ideas, and be a kind of visual language. Moreover, art can connect the mind and the heart in ways that the purely intellectual cannot.
Our experience of worship, especially the kind of worship to which we are used at St John’s, which embraces the experience of the senses, is all about making that heart-mind connection: helping those things we know in our heads, that we are each beloved of God, for example, to be understood in our hearts, and in our very being.
Mother and Child installation
This is why I love to engage with art and artists in mission and ministry, and it is why, in the midst of the pandemic, and in this very restricted time, I was keen that we should try to make some kind of public art, as a gift to our neighbourhood, and in keeping with the phenomenon of street art around East Dulwich.
We would ordinarily welcome hundreds of people into church at Christmas. Without that possibility, what might we do instead? I pondered this question with friend and artist, Sara Mark, earlier last year, who came up with endless possibilities, eventually whittling down to the idea of a contemporary icon of the Virgin and Child.
The “Mother and Child” icon is a video installation created by Sara, with filmmaker Julian Civiero. Funded by the All Churches Trust, and back-projected in the porch of St John’s, the icon is inspired by the painted wooden icons venerated in the Eastern Orthodox tradition.
The ancient custom of ‘writing’ icons dates from 3rd century AD Byzantium and they are considered to be a form of prayer rather than art; each colour and composition has a spiritual significance. Icons depicting the saints, biblical stories and The Virgin Mary and Jesus are often given a red border, symbolising life-giving energy or eternal life.
The two poses included in the video are: the Virgin Hodegetria: ‘the Virgin who shows the Way,’ and the Virgin Eleousa: ‘the Virgin of Tenderness.’ The video is an invitation to contemplate God's coming in a body to be amongst us at Christmas, so as to show the whole world the way of tender love and peace.
A member of the community emailed to say: "The installation at the church is powerful and mesmerising. I can see that art really helps us to reflect on our faith and it is wonderful to see the church lit up and projecting that image of hope in these dark times. I stood in front of the image thinking of how much we had missed out on this year but also of what is to come if we can just hold on to hope. My friend, who is Jewish, thought it was beautiful; she said she “got it”. I wouldn’t know what that meant to her but I do think the installation is a gentle and beautiful way for the church to bear witness in the world.” You can see a short film about the installation here.
Advent Art study course
Another arts-based initiative was the Advent Art Study course we offered in December. A pilot course, put together by members of the theology department at King's College London, it used the online resource, the Visual Commentary on Scripture, and explored how artists have told the stories of the characters of Advent: the patriarchs, the prophets, John the Baptist and Mary.
In this painting by Pieter Bruegel, called The Sermon of St John the Baptist, painted in 1566, you can spot the Baptist, almost hidden in the crowd. His left arm points towards Jesus, similarly concealed, and only identifiable by his almost radiant robe. An anachronistic audience receive his message, and who knows if it finds a welcome? We see a mesmerised crowd, though some are distracted, leading us to wonder what might distract us from hearing the message of John, and what, if anything, might we want to do about those distractions?
At a time when we can visit neither churches nor art galleries, that we can engage with the arts outdoors and online is a gift. I would encourage anyone to spend a little time with a “biblical” painting or sculpture online, and try to hear what it is saying to you, what questions arise in your heart, what truth it touches. I hope we will be able to offer another Art course in future, an opportunity to look afresh at our enduring biblical stories in these unsettling times.
Do take a look at the Visual Commentary on Scripture.
For years I have always maintained a list of self-improvement tasks I wanted to accomplish. At the top of that list was to read the whole Bible; verse for verse, chapter by chapter. I’m pleased to say that at the fouth attempt and with the help of The Bible App and Nicky Gumbel’s “The Bible in One Year” plan I accomplished this in 2020.
By the time the first lockdown came I was well over two months into the plan. The routine I had begun had become a habit - laying credence to the notion that on average it takes 66 days for a routine to become a habit.
Through the use of culturally relevant teaching materials, developed locally, and through the local media, Deep Roots trains and equips volunteer youth leaders and young people to live out their Christian commitment in a meaningful and transformative way.
Once President Museveni lifted transport restrictions on 21 July, the team were able to get to the studio to start recording and thereafter the workshop programmes began to be broadcast, generating questions from listeners. With an increased emphasis on radio broadcasting Deep Roots branched out with broadcasts on another radio station, Ngeya Radio (with a reach of 4 million), in addition to Radio Messiah, on different days of the week. By December the team were able to broadcast a Christmas message on both stations.
I was brought up in Barbados and attended the Anglican church in our area. It had a school similar to St Johns. I attended that school, before moving onto the Secondary School. Both my parents were Church of England followers.
I was a bus driver for London Transport. The routes I worked on during my career were 70, 202, 177, 188, 36, 163, 184, 108, 12, 436, 179, 186, 228, 192, 176, 94, 343 and 171. I was tested on all the latest models from time to time.
The Very Reverend James Edgar Atwell (1946-2020) passed away at his home in Cambridge on 12 December following a short illness. James attended Ripon College Cuddesdon (as have many of St John’s clergy) and was ordained by Mervyn Stockwood in 1970. In 1974 James became curate at Great St Mary’s, Cambridge and Chaplain at Jesus College, Cambridge. From Cambridge he was Vicar of St Lawrence, Towcester and then Provost, and subsequently Dean of St Edmundsbury on 19 November 2000. He was Dean of Winchester Cathedral from 25 March 2006 until his retirement on 14 July 2016.
“Children’s Week . . . has been in recent years the main way in which St John's has broken through directly to the community beyond itself. Every year up to 200 local children who might not otherwise go on holiday, or who have a special need, have a week of outings and activities. The programme changes but has always included a day at the seaside, usually the safe and uncrowded Minnis Bay. Other popular venues include a farm for the younger children, a sports centre for the older and Windsor Safari Park or Chessington Zoo. Until 1989 the week ended with a Carnival Procession and Fair on Goose Green on Saturday and a Carnival Mass in church on Sunday. Since then, the programme has varied, with in 1991 a concluding afternoon party in the church, with gospel choir. Some years parties of children have also been taken away for a week in the country. From the beginning the Carnival and Fair were the main source of funding for Children's Week, as well as a happy community event for the neighbourhood” (Mary Boast, St John’s East Dulwich: Church and Parish (1991)).
The Goose Green Coffee Morning on Wednesday 24 February is going to try something a little different. We are hosting a book group and the book we are reading is Girl, Woman, Other by Bernadine Evaristo (Penguin, 2019).
This is Bernadine Evaristo’s eighth book. She was born in London, her mother is white from England and her father is black from Nigeria. The experience of growing up as someone with dual African and European heritage is something that that Bernadine Evaristo draws on in much of her writing. She won the Booker Prize in 2019 for this book, making her the first black woman and first black British person to win the prize.
This book follows the lives of 12 very different women who, one way or another, are connected, even if they aren’t aware of the connection themselves. It’s an ideal book to read for a book group as I am sure every reader will be able to find something in at least one of the characters that resonates with them.
The first woman we meet is Amma, a playwright, and the book opens with the first night of a play she’s written which is being performed at the National Theatre. Over the course of the book, we meet her daughter and best friend and learn about their lives as black women. Alongside them we also meet other women and hear their stories. What I particularly liked was the very personal and at times intimate view we get into the lives of these characters. In doing so, I felt a greater understanding not just of these individual characters but also of the communities from which they come.
Each of the characters is black, or at least has black heritage, but the book does more than simply engage with this one identity. There is a real cross section of identities in these characters and so we are able to hear the voices of people who experience privilege and prejudice in different ways, sometimes even in unexpected ways.
Bernadine Evaristo appeared as a guest on Desert Island Discs in September 2020. You can listen to her interview here.
Review by Revd Raymond Baudon
This novel, the third in the trilogy starting with Wolf Hall, continues the story of Thomas Cromwell. It also tells the story of Henry VIII and events in this part of the 16th Century, as seen through Cromwell’s eyes. As with the earlier novels, this direct and detailed telling of this story makes you feel as though you have a window in to the lives of Cromwell, Henry VIII and the other main characters. The cast of characters and Author’s Note in the introduction make clear where characters have been invented, and it is obvious that day-to-day actions and conversations have been imagined. At first, I kept reminding myself the trilogy blurs history with fiction, but I soon stopped thinking about where the boundary lay and just followed where the text led.Vicar Revd Gill O’Neill 020 7564 0058, 07958 592 425, vicar@stjohnseastdulwich.org
Assistant Curate Revd Raymond Baudon 07934 817 431, curate@stjohnseastdulwich.org
Assistant Priests Revd Anne Clarke anne@oakhurstgrove.com and Revd Alistair McCulloch mccullocha95@gmail.com
Parish Administrator Bradley Collins 020 8693 3897, office@stjohnseastdulwich.org
Churchwardens Jim Nurton 07765 881 556 and Julie Whitney 07786 686 385
Parish Safeguarding Officer Tina Hampson (contact via Parish Administrator)
PCC Secretary Christine Camplin
PCC Treasurer Sarah Goudge
Stewardship Martin Howell
Director of Music John Webber
Electoral Roll Officer Bradley Collins
Church Flowers Sally Gross
Goose Green Centre Bradley Collins
Editors of The Gander Revd Raymond Baudon, Christine Camplin, Jim Nurton, Tayo Olatunde and Sue O'Neill
(Contact each of the above via Parish Administrator)
Website: www.stjohnseastdulwich.org
Twitter: @StJohnsEDulwich
St John's & St Clement's C of E Primary School, Adys Road, London SE15 4DY
www.stjohnsandstclements.org, 020 7525 9210
Disclaimer
The views expressed in The Gander are not necessarily those of the Editors, Vicar or PCC.
Magazine deadline
Notices and items or articles for possible inclusion in the next issue of The Gander must be with the Editors by the 15th of the preceding month. Please contact the team in person or by email to the Parish Administrator with any questions.